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This series reflects on the technological object as archive, narrative, and vestige. Through the recreation of obsolete digital devices\u2014old mobile phones, outdated screens, reprogrammed software, and useless\/unused circuits\u2014the works evoke a recent past, rescuing fragments of discarded technologies. In this gesture, the residual and the ephemeral become poetic material, giving rise to an archaeology of the digital.<\/p>

Each piece presents a critique of the accelerated cycle of consumption and technological obsolescence, where the new replaces the old without allowing for mourning or remembrance. It proposes a contemplative pause in the face of the systematic forgetting of what was once innovative. Now-useless devices are elevated here to the status of \u201cartistic and cultural icons,\u201d preserved as electronic vestiges of a future that has passed.<\/p>

The screens don't display efficiency or clarity, but rather visual errors, glitches, altered games, and random programming. Code, normally associated with control and precision, is reconfigured as an artistic, aesthetic, abstract gesture, one that arises from failure and chance. Unpredictable behaviors are observed: fragmented images, erratic movements, loops with no apparent purpose. Error ceases to be a problem and becomes a visual language.<\/p>

In addition to digital and electronic elements, the artists incorporate physical materials from the technology industry itself through painting and printmaking. Minerals such as silicon, copper, and aluminum\u2014key in the manufacture of chips, circuits, and structures\u2014are used as pigments, compositional elements, and textures in the paintings. Thus, what was once technological infrastructure reappears as pictorial matter, connecting the pieces to the mining that underpins the digital world.\u00a0<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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2021. Blackberry Constructivist Graffiti. 60x60 cm. Paint, recycled metals, touchscreen.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2021. Pixel Presence. 50x35 cm. Silicon paint, motion sensor, electronics.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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021. Glitch Interface. 50x35 cm. Blue, black. Screen printing, electronics.\u00a0\u00a0<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2021. Snake Unitelgent Agent. 40x27 cm each. Electronics, screen printing, video game programming. <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2020. Screen Sketchers. 50x50 cm each. Painting, micro-sculpture, electronics. <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2019. Liquid Crystal Landscape. 40x20 cm. Silicon paint, broken screens, electronics, LED light. <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2019. Snake Unintelligent Agent, Black. 60x40 cm. Painting, micro-sculpture, electronics.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2019. Random Pixel. 50x37 cm. Painting, assemblage, micro-sculpture, electronics.<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2018. Pixel Absence. 60x40cm. Silicon paint, motion sensor, 2\" screen, electronics. <\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Snake Unintelligent Agent (SUA)<\/span><\/h4>
2021-2024. Caixa Forum. Espa\u00f1a<\/b><\/p>
This installation was part of the traveling exhibition \u201cHomo Ludens. Video Games to Understand the Present,\u201d presented at the CaixaForum centers in Madrid, Barcelona, \u200b\u200bSeville, Palma, and Tarragona. The exhibition explores video games as a cultural, social, and artistic phenomenon through interactive installations, digital artworks, and immersive experiences that invite reflection on how play transforms our way of relating to and understanding the contemporary world.<\/p>
SUA uses screens from the iconic Nokia 5110, a very popular phone in 1998 that included the famous Snake game as software. However, in this version, the snake follows no intelligent logic: it moves aimlessly, wandering around the screen. Sometimes it manages to \"play\" accidentally\u2014accumulating points, winning or losing\u2014and each game restarts with new conditions.<\/p>
The result is a visual and auditory experience in which multiple screens and their variations of the game generate a collective composition, exploring chance, non-intentionality and shared memory around a forgotten icon of digital culture.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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FuturePast\u00a0<\/h4>
2025. Retrospective. Tranquilandia Bogot\u00e1.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2024. LOUTEK – MDE.\u00a0Paisajes de la bajas tecnolog\u00edas en el arte actual.<\/a>\u00a0Galeria Casa Hoffmann y EAFIT. Medell\u00edn Colombia.<\/span><\/h5>
\u00a0<\/span><\/div>
2023. LOUTEK.<\/a>\u00a0Galeria Casa Hoffmann Bogot\u00e1.<\/p>
2021. Galeria 12:00 Bogot\u00e1.<\/p>
Notas de prensa<\/span><\/p>
C\u00f3mo convertir su viejo celular en arte.<\/a>\u00a0Revista Cambio Colombia.\u00a0\u00a0<\/span><\/p>
Cat\u00e1logos<\/b><\/p>
Cat\u00e1logo Obsoletos 2021 ES<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"
Esta serie reflexiona sobre el objeto tecnol\u00f3gico como archivo, relato y vestigio. A trav\u00e9s de la recreaci\u00f3n de dispositivos digitales en desuso \u2014tel\u00e9fonos m\u00f3viles antiguos, pantallas obsoletas, software reprogramados y …<\/p>\n
Obsoletes Series<\/span> Read More »<\/a><\/p>","protected":false},"author":1,"featured_media":2147,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_surecart_dashboard_logo_width":"180px","_surecart_dashboard_show_logo":true,"_surecart_dashboard_navigation_orders":true,"_surecart_dashboard_navigation_invoices":true,"_surecart_dashboard_navigation_subscriptions":true,"_surecart_dashboard_navigation_downloads":true,"_surecart_dashboard_navigation_billing":true,"_surecart_dashboard_navigation_account":true,"ngg_post_thumbnail":0,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[1],"tags":[184,181,182,179,180,178,176,177],"class_list":["post-2385","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorised","tag-2018-21","tag-arte-electronico","tag-coding","tag-defecto","tag-fuera-de-serie","tag-glitch","tag-obsoletos","tag-pantallas"],"_links":{"self":[{"href":"https:\/\/librepensante.org\/en\/wp-json\/wp\/v2\/posts\/2385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/librepensante.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/librepensante.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/librepensante.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/librepensante.org\/en\/wp-json\/wp\/v2\/comments?post=2385"}],"version-history":[{"count":95,"href":"https:\/\/librepensante.org\/en\/wp-json\/wp\/v2\/posts\/2385\/revisions"}],"predecessor-version":[{"id":5305,"href":"https:\/\/librepensante.org\/en\/wp-json\/wp\/v2\/posts\/2385\/revisions\/5305"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/librepensante.org\/en\/wp-json\/wp\/v2\/media\/2147"}],"wp:attachment":[{"href":"https:\/\/librepensante.org\/en\/wp-json\/wp\/v2\/media?parent=2385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/librepensante.org\/en\/wp-json\/wp\/v2\/categories?post=2385"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/librepensante.org\/en\/wp-json\/wp\/v2\/tags?post=2385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
wfWAFStorageFileException thrown
Unable to verify temporary file contents for atomic writing.
wfWAFStorageFileException thrown
Unable to verify temporary file contents for atomic writing.